Further exploration of power relations between fabric and perspective from which it is looked at. I added weights to the frosted paper because the word Balkan is heavy and full of stereotypes.
Stuart Hall said that identity is formed within represenatation, and not outside of it. The same way, Balkan is unable to form an identity outside of the stereotype.
I placed a frosted piece of paper on top of everyday things, so it would act as a perspective. One of the main focuses of my project is looking. Layer on top doesn’t allow us to see things underneath clearly, as the stereotypes act the same way.
It was imporant to capture everyday things (alongside with a doily) as they are part of my daily routine.
Photogaphs are not particulary succesful, but it was about capturing the relationship of the objects and the layer.
The course of European history was changed drastically on November 9th 1989 when the Berlin Wall fell. This set a tone for what was gonna happen next with the rest of socialist states across Eastern Europe. Soviet Union separated quietly, while the Socialist Federal Republic of Yugoslavia was in for years of bloody conflict – the Yugoslav wars. SFRY consisted of six republics: Slovenia, Croatia, Bosnia and Herzegovina, Serbia (sovereign provinces Kosovo and Vojvodina), Montenegro and Macedonia. It existed from its foundations in mid 50’s to 1991 when Slovenia and Croatia declared their independence. In the context of the Eastern Block, Yugoslavia had a significantly different political stance to the rest of socialist Europe.
I feel Yugoslav conflict might be connected to Croatia’s passport design.
European Union has a standard for its memeber countries to have unified passports by using red (burgundy) for the covers. Croatia (member since 2013) is the only country that doesn’t have a red passport. Strangely enough, the passports were re-designed recently, and the color remains navy blue. Some might susspect this is due to the fear of red (communism) and association with ex Yugoslavia and the 90’s conflict. In the same way, I feel the reason why (at least one of the reasons) Croatia is shying away from being associated with the Balkans is association with Serbia and again, the conflict.
This is a set of observational drawings made in the studio, based on the objects we brought in. My object was a knitted scarf.
Most of these I did folowing the instructions from our first excercies – with eyes shut. In the beginning, I found it diffcult to work this way as switching between objects I drew made it difficult to orientate on the paper without looking. Later on, I found it to be a freeing experience as I didn’t worry about making things looking realistic, but I focused on taking details from each object I found interesting and document them through mark-making.
I began by drawing taxidermied animals on backgrounds from video stills I took in the museum. On the left the background is a denim jacket from a video still. I wanted to clash organic and man-made. I felt like these drawings were too literal and had nothing to do with my personal project, but the clash is something I wanted to further explore.
Later, I became interested in the classification of bones and artifacts in the museum. Idea of giving someting a depersonalised name reminded me of stereotypes. It felt as if putting a name on something meant it belonged in a group. So I began drawing objects more abstract, without a context and classifiying them. The idea is that in some, it is very difficult to understand what they are, but they are still given a name and being classified to a group.